Much has changed with Three 6 Mafia over the years. Members of the group and its entourage have been in constant flux, the group made movies, and the group even grabbed an Oscar. But regardless of all this change, the music has stayed true to the sound that Three 6 birthed years ago. DJ Paul and Juicy J may be the Last 2 Walk, but they're out to prove that they're music will walk forever, as it always has.
Their sound hasn't changed, but it has matured. The production is more refined and crisp even though it still has that raw edge that DJ Paul and Juicy J thrive on. While all the tracks maintain the monstrous nature of Three 6's other efforts, Paul and Juicy do spice things up by employing a variety of production techniques. "Trap Boom" features a dramatic, almost cinematic, use of strings. While "I Got" puts a Zombie Nation sample to good use on the track, as Three 6 are joined by Pimp C and Project Pat. DJ Unk provides the soundscape for "I'd Rather" and does a good job of making sure his offering to the album doesn't stray from the formula that Three 6 has nearly perfected. Also on the short list of production features is Akon, who brings a relatively weak effort in "That's Right."
Paul and Juicy stick to their tried and tested approach with lyrics as well. There is nothing on Last 2 Walk that is too lyrically complex. Hooks, like that found on "Playstation" are often dull and could quite possibly be the work of Computer and Triece. Three 6 isn't looking to be a new political party or elicit deep thought from their fans, but they make a clear effort on tracks such as "Corner Man" and "Weed, Blow, Pills" to establish that they haven't let any achievements soften them.
While the duo sticks to their formula for the most part, there are some exceptions. These exceptions also happen to be some of the weakest tracks on the album. "That's Right," featuring Akon, is far from spectacular, and "My Own Way," featuring Good Charlotte, is a disappointment.
The Memphis natives hold it down for Tennessee with Last 2 Walk and prove that commercial success doesn't have to come at the expense of musical integrity. Although the album features a few hiccups, such as "Lolli Lolli," it comes out on top in the end, offering Three 6's loyal fans what they want to hear and giving newer fans something that may be a little lighter on their ears. This album is a must have for Three 6 followers; as for the rest, you could just chill and "play with your Playstation."
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